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New York Pigment Co.

New York Pigment Co. now on 29th Street

Welcome to New York Pigment Company—a new space dedicated to color, research, education, and community.

Based in NYC, we are proud to offer Kremer Pigmente raw materials, shipped directly to your workshop.

We are Roger Danilo Carmona and Rachael Fischer. With Roger serving as the General Manager of Kremer Pigments NYC for nearly two decades and Rachael as Assistant Manager for 11 years, we have spent our careers mastering the science of specialty materials. We pride ourselves on having guided a diverse community of technical tradespeople—including luthiers, historical conservators, architectural restorers, cabinetmakers, gilders, fresco artisans, textile dyers, and bookbinders. Whether through hands-on workshops or complex technical troubleshooting, we are dedicated to supporting the trades that keep historical and specialized study of color alive.

We founded New York Pigment Company because we believe that a dedicated space to discuss how raw materials behave—is essential when working with color. Whether you are a professional tradesperson, a museum conservator, or scientist, we are here to support you.

How can we help your practice? What materials do you rely on, and what have you had difficulty sourcing? We want to hear from you.

Be sure to sign up for our newsletter to stay updated on upcoming workshops, exhibitions, and new materials. Please spread the word!

In love and color,

Roger & Rachael

About Us
Alizarine Crimson Light, PR 112
Calcium Carbonate
Casein, natural protein binder from milk
Chalk from Bologna
Chrome Oxide Green, PG 17
Cochineal, coccus cacti
Egyptian Blue
Epidote, greenish extra
Fish Glue
Gofun Shirayuki, genuine oyster shell white
Green Earth from France, PG 23
Gum Arabic Powder
Fluorescent Pigment Flame Red
Furnace Black
HAN-Blue, fine
Harddrying Oil Kremer Matte
Haematite-Chrome Oxide, Spinel, PB 29
Iron (II) Sulphate
Kremer Shellac Ink White
Alizarine Crimson Light, PR 112
Calcium Carbonate
Casein, natural protein binder from milk
Chalk from Bologna
Chrome Oxide Green, PG 17
Cochineal, coccus cacti
Egyptian Blue
Epidote, greenish extra
Fish Glue
Gofun Shirayuki, genuine oyster shell white
Green Earth from France, PG 23
Gum Arabic Powder
Fluorescent Pigment Flame Red
Furnace Black
HAN-Blue, fine
Harddrying Oil Kremer Matte
Haematite-Chrome Oxide, Spinel, PB 29
Iron (II) Sulphate
Kremer Shellac Ink White

Full Materials Catalog

Browse All Products

Explore our full inventory, and preorder items that are not yet in stock. Estimated delivery in 4-6 weeks.

In-stock orders ship the same day via UPS (if placed before 4 PM) or the next morning via USPS. Any out-of-stock items will automatically ship separately once they arrive at no additional cost.

  • Zenexo® Golden Shine

    UTP® metal interference pigments consist of aluminum flakes coated with silicon oxide, providing Zenexo® effect pigments with a distinct metallic appearance and deep gloss. These pigments offer high hiding power and color intensity, compatible with acrylic, tempera, watercolor, and oil mediums. During application, the pigment particles align with the brush stroke. This is a very light pigment; use caution when opening the packaging and during processing to avoid dusting.

    more info 
  • Cold-pressed Linseed Oil from Germany

    Linseed oil (Linum usitatissimum) is the most widely used binder in oil paint. High in unsaturated fatty acids, it forms exceptionally strong, clear films upon drying. To minimize yellowing, it is often mixed with walnut or poppy oil. Drying involves 48 hours of auto-oxidation, followed by up to 10 years of polymerization, ultimately curing into linoxin—a highly stable, durable pigment-binder matrix.

    more info 
  • Ultramarine Blue, dark

    Ultramarine is famous for its characteristic bright blue hue. The pigment is non-toxic, lightfast and suitable for most artistic techniques, but has limited alkali resistance and grays in acidic media. This pigment is the standard grade for oil, glue and lime. It is also suitable for use in acrylic, tempera and watercolor.

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  • Dispersion K 498

    Dispersion K 498 is an exceptional pigment acrylic binder, ideal as a foundation for acrylic formulations or as an additive in organo-silicate paints. It delivers the reliable consistency needed for high-quality compositions. This dispersion performs optimally when diluted with water, but requires careful storage. Protect it from frost, do not process below 5°C, and keep it tightly sealed. Shielded from extreme temperatures, it retains full quality for one year.

    more info 
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