{"title":"Fine Art Supplies \u0026 Materials","description":"\u003cp data-path-to-node=\"1\"\u003eProfessional-grade materials formulated, tested, and labeled for studio safety and artistic longevity.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eWelcome to our collection of finished paints, prepared mediums, and retail art supplies. Unlike our raw industrial inputs, the materials in this section are specifically curated, packaged, and labeled for use in the visual arts. Because we believe that a sustainable creative practice begins with material awareness, we are committed to complete transparency regarding safety, chemical composition, and regulatory compliance.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6,1\"\u003e\u003cb data-path-to-node=\"6,1\" data-index-in-node=\"0\"\u003e\"Conforms to ASTM D-4236\"\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6,2\"\u003e\u003ci data-path-to-node=\"6,2\" data-index-in-node=\"0\"\u003eThis certification guarantees that these finished products are fully evaluated and labeled in accordance with US federal safety standards. Please consult individual product labels for specific handling guidelines and hazard warnings.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"7,0\"\u003e\u003cb data-path-to-node=\"7,0\" data-index-in-node=\"0\"\u003eRegulatory Status of Our Materials\u003c\/b\u003e\u003c\/p\u003e\n\u003cul data-path-to-node=\"7,1\"\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"7,1,0,0\"\u003e\u003cb data-path-to-node=\"7,1,0,0\" data-index-in-node=\"0\"\u003eFine Art Supplies \u0026amp; Materials:\u003c\/b\u003e Products in our \"Fine Art Supplies\" section are packaged and marketed for consumer art use and \u003cb data-path-to-node=\"7,1,0,0\" data-index-in-node=\"114\"\u003eConform to ASTM D-4236\u003c\/b\u003e in compliance with US CPSC (LHAMA) regulations.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"7,1,1,0\"\u003e\u003cb data-path-to-node=\"7,1,1,0\" data-index-in-node=\"0\"\u003eConservation \u0026amp; Specialty Media \/ Raw Materials:\u003c\/b\u003e Bulk raw pigments, historical binders, and specialty restoration media in all other sections of this website are imported and sold as raw chemical inputs and industrial trade supplies. Because these are intended exclusively for professional conservation, restoration, and luthier trades—and are not packaged or marketed for general consumer art use—CPSC consumer art labeling requirements are \u003cb data-path-to-node=\"7,1,1,0\" data-index-in-node=\"441\"\u003enot applicable\u003c\/b\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","products":[{"product_id":"egyptian-blue","title":"Egyptian Blue","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlue copper silicate, \u0026lt; 120 µ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA very stable synthetic blue made of copper silicate. Use of this pigment in ancient Egyptian paintings still looks bright today.\u003c\/p\u003e","brand":"Kremer Pigments","offers":[{"title":"10 g (.35 oz)","offer_id":44482226847814,"sku":"10060.12010.104","price":34.0,"currency_code":"USD","in_stock":false},{"title":"50 g","offer_id":44754774327366,"sku":"10060.12050.104","price":159.0,"currency_code":"USD","in_stock":true},{"title":"100 g (3.5 oz)","offer_id":44754774360134,"sku":"10060.12100.108","price":291.0,"currency_code":"USD","in_stock":true},{"title":"kilo (2.2 lbs)","offer_id":44754774392902,"sku":"10060.13010.120","price":2558.3,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5009\/3126\/files\/10060_2_1.jpg?v=1770666783"},{"product_id":"smalt-standard","title":"Smalt, standard grind, PB 32","description":"\u003cp data-path-to-node=\"2\"\u003eAs the oldest man-made cobalt blue pigment, \u003cb data-path-to-node=\"2\" data-index-in-node=\"44\"\u003eSmalt\u003c\/b\u003e derives its name from the Italian \u003ci data-path-to-node=\"2\" data-index-in-node=\"84\"\u003esmaltare\u003c\/i\u003e, meaning \"to melt.\" It is a potash silicate glass, deeply colored with cobalt oxide, then quenched and ground into a fine powder. While its exact origins are obscure, cobalt has been identified in ancient Egyptian glass, though there is no evidence it was used as a painter's pigment in antiquity.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe European history of smalt began in earnest around the mid-15th century following the discovery of cobalt minerals near the Bohemia-Saxony border. It became a staple of German Renaissance and Baroque painting, prized especially for depicting the sky in frescoes. By the early 20th century, the rise of stable industrial blues nearly erased the knowledge of smalt from history. This changed in 1977, when Georg Kremer successfully recreated the pigment, leading to the founding of \u003cb data-path-to-node=\"3\" data-index-in-node=\"483\"\u003eKremer Pigmente\u003c\/b\u003e. Today, Kremer Pigmente remains the world’s sole manufacturer of smalt, producing it according to a traditional 1820 recipe.\u003c\/p\u003e\n\u003cul class=\"articleProperties\"\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eChemical description:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003eCobalt potassium silicate glass. Pigment Blue 32, C.I. 77365\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eResistance to alkali:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003e5 (1 is bad, 5 is best)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eResistance to lime:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003e5 (1 is bad, 5 is best)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eResistance to acid:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003e3 (1 is bad, 5 is best)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eChemical Formula:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003eGlas\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eLightfastness - thinned:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003e8 (1 is bad, 8 is best)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eLightfastness - medium:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003e8 (1 is bad, 8 is best)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eLightfastness - concentrated:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003e8 (1 is bad, 8 is best)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eColorIndex:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003ePB 32.77365\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eOpacity:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003etransparent\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eSuitability:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003eAcrylics, Ceramic, Lime \/ Fresco, Tempera\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kremer Pigments","offers":[{"title":"50 g","offer_id":44754771869766,"sku":"10000.12050.104","price":39.0,"currency_code":"USD","in_stock":true},{"title":"100 g","offer_id":44754771836998,"sku":"10000.12100.108","price":66.0,"currency_code":"USD","in_stock":true},{"title":"1 kg","offer_id":44669941252166,"sku":"10000.13010.124","price":605.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5009\/3126\/files\/10000_2.jpg?v=1771012205"},{"product_id":"smalt-very-fine","title":"Smalt, very fine","description":"","brand":"Kremer Pigments","offers":[{"title":"50 g","offer_id":44482231369798,"sku":"10010.12050.104","price":44.65,"currency_code":"USD","in_stock":true},{"title":"100 g","offer_id":44669941284934,"sku":"10010.12100.108","price":87.6,"currency_code":"USD","in_stock":true},{"title":"1 kg","offer_id":44669941317702,"sku":"10010.13010.124","price":853.65,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5009\/3126\/files\/10010_4_1.jpg?v=1771012424"},{"product_id":"lead-tin-yellow-light","title":"Lead Tin Yellow Light","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u0026lt; 38 µ, contains lead, toxic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRembrandt used this yellow for luminous moments. Contains lead: TOXIC!\u003c\/p\u003e\n\u003cul class=\"articleProperties\"\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eChemical description:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003eLead stannate, PbSnxOy\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eChemical Formula:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003ePb2SnO4\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eLightfastness - thinned:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003e8 (1 is bad, 8 is best)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eLightfastness - medium:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003e8 (1 is bad, 8 is best)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eLightfastness - concentrated:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003e8 (1 is bad, 8 is best)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eColorIndex:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003e77629\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eSuitability:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003eAcrylics, Ceramic, Oil, Tempera, Watercolor \/ Gouache\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kremer Pigments","offers":[{"title":"50 g \/ 1.75 oz jar","offer_id":44482232057926,"sku":"10100.12050.104","price":54.0,"currency_code":"USD","in_stock":true},{"title":"100 g \/ 3.5 oz jar","offer_id":44669941710918,"sku":"10100.12100.108","price":94.0,"currency_code":"USD","in_stock":true},{"title":"1 kg \/ 2.2 lb jar","offer_id":44669941743686,"sku":"10100.13010.120","price":879.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5009\/3126\/files\/10100_2_1.jpg?v=1775769088"},{"product_id":"lead-tin-yellow-deep","title":"Lead Tin Yellow Deep","description":"\u003cp\u003eFrom Paris, made from a 19th century recipe, One of the oldest synthetic pigments.Lead-tin yellow (Type I), the brightest yellow in oil painting. Artificial yellow pigment, venous, found by Jacobi in 1941 on some antique works. It is lead tinned. It is a light color between lemon yellow and medium yellow (depending on the characteristics of the manufacturing process). It is obtained by calcining a mixture of two parts tin dioxide and three parts leadiminium at about 800° C in closed crucibles. It was used as a pigment in frescoes and oil (especially between 1500 and 1750), and it was also used in glass and ceramic art. The name is sometimes also used in reference to mosaic gold.\u003c\/p\u003e","brand":"Kremer Pigments","offers":[{"title":"50 g","offer_id":44482232156230,"sku":"10110.12050.104","price":53.9,"currency_code":"USD","in_stock":true},{"title":"100 g","offer_id":44669941776454,"sku":"10110.12100.108","price":99.55,"currency_code":"USD","in_stock":true},{"title":"1 kg","offer_id":44669941809222,"sku":"10110.13010.120","price":955.85,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5009\/3126\/files\/10110_4_1.jpg?v=1779204978"},{"product_id":"ploss-blue","title":"Ploss Blue","description":"\u003cp\u003eDuring wine production, vinegar is produced from the pomace under certain circumstances. This vinegar reacts with copper-containing materials. If this acetic acid copper solution is neutralized with quicklime, blue crystals of particularly brilliant luminosity are obtained. The pigment obtained is a luminous blue. The pigment cannot be processed with acid media or linseed oil, but it can be processed with lime, egg white and tempera. The name was chosen in memory of H. Ploss and the recipe of the blue in his book \"A Book of Old Colors\" (around 1500).\u003c\/p\u003e","brand":"Kremer Pigments","offers":[{"title":"10 g","offer_id":44482232844358,"sku":"10170.12010.104","price":21.65,"currency_code":"USD","in_stock":false},{"title":"50 g","offer_id":44669942202438,"sku":"10170.12050.112","price":91.7,"currency_code":"USD","in_stock":false},{"title":"100 g","offer_id":44669942235206,"sku":"10170.12100.112","price":167.0,"currency_code":"USD","in_stock":false},{"title":"1 kg","offer_id":44669942267974,"sku":"10170.13010.124","price":1367.95,"currency_code":"USD","in_stock":false}]},{"product_id":"azurite-natural-standard","title":"Azurite natural, standard","description":"Azurite is the oldest blue pigment, used almost worldwide long before lapis lazuli. Azurite, also known as Chessylite or Mountain Blue, is a natural basic copper carbonate. The beautiful deep blue mineral occurs in the oxidation zone of copper deposits, together with chrysocolla and malachite, it’s more oxidized form. Azurite forms deep blue translucent crystals. The purer and larger the crystals, the darker and more intense the color. At first grind, azurite is a pale greyish-blue color. However, complex wet processing techniques and the subsequent particle separation offers a wide palette of different hues ranging from deep dark blue to brilliant azure. From the 15th to the 17th century, azurite was no doubt the most important blue pigment in European painting, mostly used in tempera. In paintings of that period, it is found more frequently than ultramarine, often serving as its less costly underpaint. The use of smalt, and even more so the invention of Prussian blue in the 18th century seem to have displaced azurite from the artist palette in Europe. In the past, important sources for azurite where the copper deposits near Athens, Rudabanya (Hungary), Lyon, and Innsbruck. Today, azurite comes from e. g. Namibia, France, Marocco, China, and the USA.\u003cp\u003eKnown since ancient times as Lapis Armenius, Azurite has a blue hue that is more greenish than Lapis Lazuli.\u003c\/p\u003e","brand":"Kremer Pigments","offers":[{"title":"10 g","offer_id":44482233106502,"sku":"10200.12010.104","price":29.65,"currency_code":"USD","in_stock":true},{"title":"50 g","offer_id":44669942366278,"sku":"10200.12050.104","price":139.95,"currency_code":"USD","in_stock":true},{"title":"100 g","offer_id":44669942399046,"sku":"10200.12100.108","price":264.0,"currency_code":"USD","in_stock":false},{"title":"1 kg","offer_id":44669942431814,"sku":"10200.13010.124","price":2482.8,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5009\/3126\/files\/10200_2_1.jpg?v=1779203729"},{"product_id":"malachite-natural-standard-pb-30","title":"Malachite natural, standard, PB 30","description":"\u003cp\u003eA vibrant natural copper carbonate with distinctive banding patterns, malachite has served as a premier green pigment since ancient times. Favored by Egyptian artisans for cosmetics and Renaissance masters for panel painting, this mineral remained Europe's dominant green until the 18th century. Its chemistry mirrors azurite's, yet with higher water content, yielding a yellowish-green cast in oil media while maintaining permanence in fresh fresco applications and tempera work. Our Eastern Congolese source undergoes meticulous hand-separation, crushing, grinding, and levigation—methods rooted in classical European and Chinese traditions—to refine the raw ore and enhance pigment purity. The result is a finely ground, sieved powder showcasing malachite's characteristic striations.\u003c\/p\u003e\n\u003cul class=\"articleProperties\"\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eChemical description:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003eCopper hydroxide carbonate, Cu2(CO3)(OH)2\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eLightfastness - thinned:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003e8 (1 is bad, 8 is best)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eLightfastness - medium:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003e8 (1 is bad, 8 is best)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eLightfastness - concentrated:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003e8 (1 is bad, 8 is best)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eSuitability:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003eAcrylics, Tempera, Watercolor \/ Gouache\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kremer Pigments","offers":[{"title":"10 g","offer_id":44482234515526,"sku":"10300.12010.104","price":11.0,"currency_code":"USD","in_stock":true},{"title":"50 g","offer_id":44669943185478,"sku":"10300.12050.104","price":52.0,"currency_code":"USD","in_stock":true},{"title":"100 g","offer_id":44669943218246,"sku":"10300.12100.108","price":92.0,"currency_code":"USD","in_stock":true},{"title":"1 kg","offer_id":44669943251014,"sku":"10300.13010.120","price":810.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5009\/3126\/files\/10300_bea_1.jpg?v=1771870290"},{"product_id":"chrysocolla","title":"Chrysocolla","description":"\u003cp\u003eChrysocolla is a very hard gemstone, which occurs in a wide range of colors. Only certain select qualities are suitable for the production of chrysocolla pigment. The pigment behaves more like jasper than like the other copper colors. Chrysocolla is an old term used to describe various materials used in the manufacture of gold, but it has been refined to refer to a single mineral, a copper hydroxide silicate (CuSiO3.nH2O). It is a mineral usually found in secondary mines. Chrysocolla is often found together with azurite and malachite in the same mine. In its natural state, it is very similar to malachite, but its color is slightly bluer. It retains its green color quite well after grinding and can be used as a pigment in aqueous media. Since copper is bonded to a silicate matrix, it is not a readily soluble pigment in acidic media, which is why it can be used in oil (unlike azurite and malachite). Intermediate shade between azurite and malachite.\u003c\/p\u003e","brand":"Kremer Pigments","offers":[{"title":"50 g","offer_id":44482235433030,"sku":"10350.12050.104","price":52.0,"currency_code":"USD","in_stock":false},{"title":"100 g","offer_id":44669943873606,"sku":"10350.12100.108","price":89.0,"currency_code":"USD","in_stock":false},{"title":"1 kg","offer_id":44669943906374,"sku":"10350.13010.120","price":850.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5009\/3126\/files\/10350_5.jpg?v=1784236849"},{"product_id":"vivianite","title":"Vivianite","description":"\u003cp\u003eThe crystalline and earthy forms of vivianite have been used as a blue color since ancient times. The pigment is light and binder fast. The crystals are largely in the form of mica-like plates, which look greenish translucent when thin.\u003c\/p\u003e","brand":"Kremer Pigments","offers":[{"title":"10 g","offer_id":44482236514374,"sku":"104000.12010.104","price":41.0,"currency_code":"USD","in_stock":true},{"title":"50 g","offer_id":44670012751942,"sku":"104000.12050.104","price":191.75,"currency_code":"USD","in_stock":true},{"title":"100 g","offer_id":44670012784710,"sku":"104000.12100.108","price":370.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5009\/3126\/files\/104000_2.jpg?v=1784237105"},{"product_id":"lapis-lazuli-medium-quality","title":"Lapis Lazuli, medium quality","description":"Lapis lazuli is a relatively rare, semi-precious stone which has been prized for its intense blue color since antiquity. The metamorphic rock is a mixture of the blue mineral lazurite, white calcspar and golden iron pyrites. Through extensive grinding, washing, sieving, and a lavish process of multiple extraction, lapis lazuli is turned into the costly natural pigment ultramarine (Latin “ultramarinus”, literally for “beyond the sea” because was imported from Asia) known for its pure bright blue color and fine quality. Because of its high price during the Middle Ages (it was once more expensive than gold), lapis lazuli was used only for certain parts in the most precious paintings, e. g. the robe of the Virgin Mary thus indicating her spiritual importance. There are several grades of diminishing quality: While the largest and most deeply colored particles emerge in the first extraction, the last extraction produces a high proportion of colorless material, known as ultramarine ash, and valued as a blue glazing pigment. There are two areas where lapis lazuli is found: It has been mined in Afghanistan for more than 8,000 years, and in Chile since the 20th century. \u003cp\u003eOur Lapis Lazulis #10500 - #10540 are from Afghanistan and #10550 - #10561 from Chile.\u003c\/p\u003e","brand":"Kremer Pigments","offers":[{"title":"10 g","offer_id":44482237366342,"sku":"10510.12010.104","price":79.0,"currency_code":"USD","in_stock":true},{"title":"50 g","offer_id":44669944299590,"sku":"10510.12050.104","price":344.8,"currency_code":"USD","in_stock":true},{"title":"100 g","offer_id":44669944332358,"sku":"10510.12100.108","price":659.75,"currency_code":"USD","in_stock":true},{"title":"1 kg","offer_id":44669944365126,"sku":"10510.13010.124","price":6333.7,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5009\/3126\/files\/10510_2.jpg?v=1779201358"},{"product_id":"new-york-pigment-co","title":"Natural Cinnabar","description":"This unique red-orange pigment with bluish tendencies cannot be reproduced by mixing other pigments. \u003cp\u003eVermilion is the most important red pigment of all, and one of the oldest historical colorants. The brilliant red pigment is made from the powdered mineral cinnabar, which is based on mercuric sulphide. It forms a yellowish red, very fine powder, without crystallines. Since ancient times, vermilion was widely used throughout the world: e. g. for art and art decoration in Ancient Rome, to illuminate European manuscripts in the Middle Ages, in Renaissance painting, especially for garments and robes, as well as in Chinese and Japanese lacquerware. Until the 19th century, vermilion was the only red pigment available that guaranteed brilliance, intensity of color, and coverage at the same time. Thus, you find vermilion in all old masters paintings, where its use symbolizes both prestige and power. The most important sources for natural mercury sulfide are Andalusia, Tuscany, the Urals, California, Mexico, Peru, Brazil, China, Japan, and the USA. The vermilion from Kremer Pigmente comes from Hunan Province in China.\u003c\/p\u003e","brand":"Kremer Pigments","offers":[{"title":"10 g","offer_id":44482238218310,"sku":"10620.12010.104","price":53.9,"currency_code":"USD","in_stock":false},{"title":"50 g","offer_id":44669944922182,"sku":"10620.12050.104","price":228.8,"currency_code":"USD","in_stock":false},{"title":"100 g","offer_id":44669944954950,"sku":"10620.12100.108","price":430.85,"currency_code":"USD","in_stock":false},{"title":"1 kg","offer_id":44669944987718,"sku":"10620.13010.120","price":4133.55,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5009\/3126\/files\/10620_2.jpg?v=1779198332"},{"product_id":"pyrite-powder","title":"Pyrite Powder","description":"\u003cp\u003ePyrite Powder is an iron sesquioxide, and belongs to the group of magnetic pigments. Its name is derived from the greek word “pyros”, which means fire. Early on, the shimmering, crystalline mineral was seen as something special since it could be used to light a fire. Furthermore, the shiny quality of the glittering mineral may evoke real gold, thus being also called “fools gold”, and in Germany “cats gold”. When ground, pyrite forms a greenish-gray, lustrous powder with a beautiful golden shimmer. The color nuance of the powder depends on the grain size of the pigment: the bigger the crystals, the more intense the golden shimmer; with very fine powder, the golden shine is lost. The discreet grey-golden pigment is especially impressive in combination with smalt and red ochers. Pyrite is found throughout the world, especially on Elba Island (France), in Piedmont (Italy), Germany, but also in the Amazon region. The Pyrite from Kremer Pigmente is from Germany.\u003c\/p\u003e\n\u003cul class=\"articleProperties\"\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eChemical description:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003eNatural mineral, FeS2\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eChemical Formula:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003eFeS2\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eLightfastness - thinned:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003e8 (1 is bad, 8 is best)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eLightfastness - medium:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003e8 (1 is bad, 8 is best)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eLightfastness - concentrated:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003e8 (1 is bad, 8 is best)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"articlePropertyName\"\u003eSuitability:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"articlePropertyValue\"\u003eAcrylics, Lime \/ Fresco, Oil, Watercolor \/ Gouache\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kremer Pigments","offers":[{"title":"50 g","offer_id":44482239627334,"sku":"10920.12050.104","price":59.0,"currency_code":"USD","in_stock":true},{"title":"100 g","offer_id":44669945806918,"sku":"10920.12100.108","price":98.0,"currency_code":"USD","in_stock":true},{"title":"1 kg","offer_id":44669945839686,"sku":"10920.13010.120","price":920.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5009\/3126\/files\/10920.jpg?v=1784237496"},{"product_id":"maestro-selected-siberian-kolinsky-red-sable-round-european-shape","title":"da Vinci Series 10, \"MAESTRO\" Selected Siberian Kolinsky Red Sable Round: European shape","description":"\u003cp\u003eDesigned for Watercolor, Gouache, Oil\u003c\/p\u003e\n\u003cul class=\"ps-3\"\u003e\n\u003cli\u003eSiberian Kolinsky red sable hair from selected male winter tails, especially elastic with extremely fine point\u003c\/li\u003e\n\u003cli\u003eso-called silver ferrule\u003c\/li\u003e\n\u003cli\u003eshort black polished handles\u003c\/li\u003e\n\u003cli\u003eThe series 10, 11, 35 and 1301 are individually packed in a gift box from brush size 6 onwards. 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